Showing posts with label trees. Show all posts
Showing posts with label trees. Show all posts

Thursday, July 5, 2007

Diminished Majesty

You remember that I started my very first post with this giant - the thoongu moonji maram = sleepyhead tree or Rain Tree. It has provided character to our neighborhood, shelter to dozens of birds, squirrels, and monkeys, and shade to everyone around (there's usually a 10 degree F difference between standing out in the open and under a tree!)

Today, our neighbors, who have completed the renovation of their home, decided to trim - more like an army buzz cut - its branches. The Rain tree's giant branches reached out over their water tank, and terrace, causing problems. They were muttering about its roots tearing up their paved walkways, but mercifully, decided against cutting the tree down. (The tree is right on the property line, making for a sticky situation, should there be an issue.)

Here are some pictures of the process:




Check out the tree outside the window. It helped create such wonderful light, that our photographer friend, who took professional pictures of Arjun, wanted the shoot in this very room!








IIT monkeys passing through our neighborhood. Two moms and their babies (rambunctious, and so human!) hanging out on the neighbor's overhead water tank.








One mother was much more cautious and stayed on the bigger branches, while the other mom allowed her little one to wander off and explore a path to our terrace. One could watch them for hours!
While we think that they are way too adept to fall off the tree, Ramesh says that many IIT monkeys do fall, and because they fall on concrete pavements, and not in to forest canopies, they actually do break a limb or two.







No cranes, no equipment. Just a hack-job, with a hand saw, and some rope to belay the branch.












A job well done! Firewood for the workers' family.











Not quite the concrete jungle that one might expect - but definitely on the way to one. [Don't miss the blue building!]










Bye! Got to go curtain shopping!

Thursday, April 19, 2007

School's Out and the Heat's On!

Happy Vishu, Happy Tamil New Year (called Sarvajith) to everyone! We celebrated it on the 14th of April, and had members of family over for lunch on Sunday. The dried neem flowers, from my earlier entry, were used in the sweet-sour-bitter chutney that we traditionally make that day - to denote how the year is indeed a mixture of everything - happy, sad, bitter, and sweet.

With our US taxes filed, I can now return to blogging.

With the arrival of the new year comes the hotter season. The months of Chittirai and Vaigasi in the Tamil calendar are known for their seering and unrelenting heat, and near 90% humidity. Mid-day temperatures are hovering between 32 (89.6 F) and 36 (96.8 F) degrees Celsius. Akbar seems unfazed by the sun on our noon-hour quickie-walk. I am the one wilting the heat! One breaks in to a sweat just at the exertion of toweling oneself dry after a shower, and overcoming the desire to have another shower is in itself is exhausting. (No, I do not exaggerate!) And yet, the worst is still to come. 40 and 42 degree temperatures await us in May. It is not uncommon to hear of the elderly or the homeless succumbing in this heat. Schools are mercifully closed, and we enjoy quiet, cool afternoons indoors, with outings planned in the mornings or late evenings.

Rajani is making good progress in her music lessons, inspite of losing many more front teeth (we tease her that we can only hear her hissing!). I am sharing two new notes that she has learnt in Shankarabharanam - Vara shiva balam, and Shyamale Meenakshi. Check 'em out if you have a minute. She is having a ball - having sleep overs with grandma and Geetha periamma. She is getting to meet other cousins, and friends' children her age, and hopefully, this summer, bond further with them.

As a little girl, I used to enjoy picking marudhani leaves, grinding them to a paste, and staining my fingertips red. Popularly known as henna or mehandi, these leaves are said to cool the body, and it was traditional to apply the paste in the summer months. After dinner, and the household chores done with, the girls of the family made their beds, and had aunts and grandmothers put it on for them. Boys too got it on their toes, and on the soles of their feet. With both hands covered in green paste, taking care of those little itches that come only when one's hands are not available, or straightening that sheet over one's body just so, fell to the aunts, mothers and grandmothers. The next morning, there was a rush out to wash off the paste and see how red the stain turned out. Body chemistry played a part in why some got it just orange, while the others got it bright red.

Rajani, true to form, loves putting on marudhani. Earlier this week, she spent a night with my mother, who applied the paste. Grandfather was there to take care of the itches & that pesky sheet, and the next morning, her hands turned out pretty darned red! The stain on the palm will slowly fade away, while the nails will stay orange until they grow out. This is the old fashioned style of applying the paste. Today, the norm, imported from North India and the Islamic tradition, is to have highly detailed artistic designs drawn. Brides will have henna applied up to their elbows!

The Cocount and its Myriad Uses

All independent (single family) homes in Chennai, with any property, will have a mango tree, a banana tree, possibly a couple of lemon trees, perhaps a neem, and most certainly, several coconut trees. Like the banana tree, whose every part is useful, the cocount is a pretty versatile one too. On this property at Indira Nagar, stand three, and every few months, a coconut tree climber is called to pick coconuts and prune the big leaves. You know it is time to call the climber when you narrowly miss one or two falling on your head, or at the very least, on your car! Today, I learnt, from the tree climber and our maid, that it is a bad omen to have a coconut branch fall on your head. (It comes from the practice of cremating corpses laid on dried coconut branches.) So, when the climber comes calling that there are several dry branches, one usually paid him to climb up and de-leaf.

Summer is a great time to enjoy cool coconut water, and you can tell if a coconut has lots of water or has matured to having more of the white in it, by its weight. My sister was recalling how in my grandmother's house, tender coconut were stored cool by dropping them in the backyard well! They floated, stayed cool, and when you needed one, you just sent a pail down and fished one up! (Reminded me a little of how we kayaked in Prince William Sound with eggs in the water!)

The climber used a cool harness for his waist and feet, and climbed up a 50-foot tree in no time. He then pruned the branches to create a bed on which to drop the coconuts.
Spending about 20 minutes on each tree, he downed an average of 35 coconuts per tree. At the end of the busy morning, we had about 90 coconuts down, and another 20 tender ones, great for just drinking the water - all to be shared among the three families who live in the
apartment building.

Below is our climber (and check out his really cool fanny pack!), slicing the top off the coconut, and chipping a hole to drink the water from. He is typically paid 20-25 Rupees for every tree he climbs. His three children go to school, and have not been taught to climb trees. With his generation will die the coconut tree climber profession, and thirty years down the road will evolve the arborist with his fancy equipment that will reach up pluck the coconut from the tree (and I doubt if it will share a tender coconut with us!)

Fairly soon after our tree climber had started his work, an old man appeared, asking if he would take away the coconut leaves - I really should call them fronds. He proceeded to remove remove the green part of each leaf in a frond, and pull out its spine. These pliable sticks, about 75-100 of them make a broom - like the one next to the blue bucket in the neighbor's yard below. Like I said, everything about a coconut tree has its uses. At the end of the day, nothing was wasted.














Bye for now!

Friday, March 30, 2007

Kapali!

Learning About Trees:

Rajani's Learning Tree school has three spaces - all named after trees: the tall Ashoka, the broad Banyan, and the flowering Gul-Mohar. She now knows the first two well, as we often spot them on our drive to the IIT campus. Here she is, on the left, under the Ashoka tree, just outside Ramesh's department, DoMS.

Below is the majestic Banyan. Its vines drop to the ground, take root, and grow in to broad stems, widening the girth of the tree each year. We see several monkeys on these trees.

















The annual Chariot Festival at the Kapali Temple in Mylapore:

Ramesh's neighborhood, Mylapore, is home to the ancient Kapaleeshwarar Temple, said to have been around since atleast 1250 CE. The lore is that Parvathi, Shiva's wife, in the form of a peacock, worshipped him here. Thus the name Mayila-pore (pronounced mayeela-pour), meaning city of peacocks. Every year, Lord Shiva, here known as Kapali, has a day out on the town, in his 100-foot tall chariot. Hundreds of devotees draw the chariot, and it is altogether a great experience, for the spiritually inclined, the mechanically inclined, and for the fun festival atmosphere. He is preceded by his first son, Ganesha, followed by his wife, in her own separate chariot, who is followed by her other son, Murga. Here are a few pictures from the festival, taken on the morning of Friday, the 27th. We were there between 6:00 a.m. and 8:30 a.m.
On the left, the chariot is ready and waiting for Lord Shiva to arrive. Below: wonderful hand made toys are sold at the festival. I have memories of being bought some neat wooden toys. Today, limited choice among very poorly made toys are the norm.

















Left: a glimpse of the replendent Lord, adorned in garlands inside the chariot, guarded by gana-boodhams or dwara-balas.













Left: while the task of pulling the chariot falls to the devotees, (it is considered a great privilege), the mechanics of turning the chariot as it travers around the temple is the responsibility of these young men with sticks. No motorized or mechanical device is used. It is good old-fashioned laws of physics, wooden wedges, and man (yes, only men) power.






Left: Decorations on the chariot.













A Rare Treat!

On Tuesday, the 27th, Rajani's music teacher, Usha Padmanabhan, (and as of Monday, mine!) performed at the Music Academy Mini Hall, upon having received an endowment award. She sang select Sanskrit krithis composed by Sri Thayagaraja:

After warming up with
Devathi deva sadashiva - Sindhu ramakriya - Adhi, and Janaki ramana - Sudha seemandhini - Adhi,
she took off with Sri Naradha natha in Kaanada - Roopakam.
A very nice Panthuvarali followed with Shambo Mahadeva, with neraval and swarams at Amboruha padhambhuja. A brisk Mamava raghunatha in Jaganmohini followed, as did Bhajare Bhaja Maanasa in ragam Kannada. Another rare krithi (to my ears) was Varashiki vagana vaarija lochana in Supradheepam. A most excellent and expansive Kamboji was the prelude to the Sri Raghu varaaprameya maamava, sung like a swarajithi, with swaras preceeding the anupallavi, and each of the three charanams. She concluded the concert with Thavadha soham in Punnagavarali, and followed it up with a Madhyamavathi mangalam and Srutti slokam. It was altogether a very solid performance for 2 hours and 15 minutes and she had great support in Nellai Balaji on the mridangam.

I also heard Vasundara Rajagopal (Nisha Rajagopal's mother), who also sang pretty well, and tackled Janaranjani for about 30 minutes.

Savitha Narasimhan's was another excellent concert. She is said to be a child prodigy, having identified ragas at age 3 (wouldn't that make Swathi a prodigy too? I remember her calling out "Behag!" at 2 and 1/2 in Sydney!) She learns from RaviKiran and sings sampradhaya music. Her main pieces were Varali and Mohanam (Kapali!).

After years of listening to Sriram Gangadharan on tapes and cds, I finally got to hear him live at Hamsadhwani last Friday. It was a treat indeed! His voice is his strength and it does whatever he wants it to do. But alas, his lack of thronging audience as for Sanjay, is his literal copying of the GNB style, they say, and not developing one of his own. He sang a rare SruthiRanjani, the famous Thamadhamen Swami in, Thodi. He also served up a couple of compositions from his repetoire of Nandhanar Charithram.


Goodbye until the next post, if I have survived the painters who take over the house tomorrow! Posted on April 4th, 2007